By Alan Rosenthal
As Alan Rosenthal states within the preface to this new version of his acclaimed source for filmmakers, Writing, Directing, and generating Documentary motion pictures and movies is a booklet approximately storytellinghow to inform nice and relocating tales approximately attention-grabbing humans, whether or not they be villains or heroes.”
In reaction to the technological advances of the final six years and the calls for of cable television stations like Discovery and A&E, Alan Rosenthal reconsiders how one methods documentary filmmaking within the twenty-first century. Foregoing thought and undefined, Rosenthal tackles the daily difficulties from preliminary suggestion via distribution, emphasizing the learn and writing approach.
He deals examples of interviewing, narration writing, and the complexities of enhancing. easily and obviously, Rosenthal explains the right way to write, direct, and bring the documentary, even if movie or video. New facets of this 3rd variation comprise nonlinear enhancing suggestions, a posh finances instance and its research, plus a bankruptcy on Staying Alive,” which information how eu and U.S. stations strategy documentary and the way the net might help filmmakers locate new markets. a brand new bankruptcy has been additional to deal with the turning out to be style of family members films.
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Extra resources for Writing, Directing, and Producing Documentary Films and Videos Third Edition
When other people are bidding for the same ¤lm, the question becomes how to make a reasonable bid that will keep you in competition with everybody else and yet will leave you enough to make both a quality ¤lm and a pro¤t. Time Constraints It is also vital to discuss timing at an early stage. Are time considerations going to be of importance to any aspect of the ¤lm? If so, they should be discussed early. For example: 1. Does the ¤lm have to be ¤nished and ready for screening on a certain date, such as the annual meeting of the sponsoring organization or a political anniversary within a country?
Where is the drama in your story? Where is the con®ict? 36 WRITING THE PROPOSAL Where are the emotions and the character development? This is where you must be down-to-earth. If your approach or structure is tentative, then say so, or indicate two or three approaches you would like to investigate further. The question of form and structure is discussed in detail later, but a few words might help now. In most television documentaries, the chosen form is usually that of the general essay or illustrative story, and the style ranges from the objective to the anecdotal or the personal.
What strikes us about the list? First, the sheer variety of the ¤lms. They range from Flaherty’s classic description of Inuit life through an institutional portrait to Jennings’s gentle observation of life in England at the end of World War II. Best Boy tells us about the life of a mentally retarded man; Harlan County deals with striking miners; The War Game is a horrifying documentary drama of the effects of an atomic bomb on a small British town. All are, in their own ways, outstanding examples of really excellent documentary ¤lms.