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Time, April twentieth 2015

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Extra resources for Time (20 April 2015)

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On the plane home, Corker pressed his case for sidelining Kirk’s bill. The events overseas put the legislative ball squarely in Corker’s court, and he quickly began to dribble. His strategy is complicated but vital to the conduct of foreign policy in a politically divided era: he wants to lay down a specially designed legislative road map for getting Obama’s Iranian deal in front of—and potentially through—Congress. That means letting every side have a chance to be heard without letting a tiny minority shut it down.

Something. A series of experiments, we learn, to test the artificial or actual intelligence of Nathan’s supreme invention, a robot in female form called Ava (Alicia Vikander). But to create a machine with human awareness, Caleb says, is “not the history of men. ” Deus ex machina is the phrase applied to the climactic moment in a classical Greek tragedy when gods would descend from the skies to resolve all knotty human problems. And god, or God, is the word that hovers over Ex Machina, Alex Garland’s pristinely creepy sci-fi film.

Marketeers play to all the youngsters,” Apfel says, “but the youth market doesn’t have the money for all these things. net of Labor Statistics. The second most? Women ages 65 to 74. “You’ve got to attend to us,” Dell says of her cohort. ” Apfel is pleased that the industry has come around, but she deflects her status as a fashion icon with gestures of dismissal. “I don’t live for getting dressed,” she insists. ” Those jobs include starring in a new ad campaign for Kate Spade in which her one-of-a-kind persona is played off against the creamy prettiness of 22-year-old model Karlie Kloss and—in red eyeglass frames this time—modeling Alexis Bittar jewelry opposite 18-year-old fashion impresario and actor Tavi Gevinson.

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