By A. Holding
When in 1 980 I wrote the foreword to The artwork of Roya//cing i wanted my buddy Audrey protecting each luck for her publication; i used to be confident that its visual appeal could fill a true hole within the literature then to be had by way of delivering a finished yet uncomplicated and conceivable advisor to the recommendations utilized in royal icing. Now. six years later. with The paintings of Roya//cing bought broadly through the international. i do know that Audrey's moment publication in this topic is guaranteed of luck. In it she has constructed the various rules offered in her first ebook. and he or she takes the cake-decorator throughout the phases of complex options which might generally be considered as past the competence of the novice. With Audrey's information (and plenty of sufferer practice!) we will be able to all turn into specialists. JUNE ELWOOD M. lnst. B. B. , M. e. FA(e. G) Cake Artistry Studio. Swinton, Manchester, united kingdom v Preface My first ebook. The paintings of Royal Icing * got down to clarify the craft to people who had no past wisdom of the topic. during this ebook. i am hoping to move one degree additional and extend the guidelines and methods formulated within the paintings of Royal Icing. specially in terms of runout determine piping. in an effort to keep away from repetition. a few fundamentals were passed over. permitting different components to be handled in higher detail.
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Additional info for The Practice of Royal Icing
_J Fig. 60. Monograms outlined prior to painting and flooding. 4. Place under a lamp before transferring to a warm place to dry. Outlined Figures On the whole I do not like an outline to show on a runout figure, but there are exceptions to this. (text continued p. 71) The Practice of Royal Icing 42 ABC D E F G H I J K L M N 0 P QRS TUV W X Y Z Fig. 61. Working drawings for outlined runouts. 43 Outlined Runouts ABC D E F G H I J K L M N 0 P aRS TUV W X Y Z Fig. 61 - contd. The Practice of Royal Icing 44 ABC D E F G H I J K L M N 0 P aRB TUV w X y Z Fig.
Flower Only one tracing is used for each size of petal. regardless of the number of petals required. Several curved dishes (fruit saucers are ideal) will be required to use as formers to dry the petals to shape. Strips of fine waxed paper, not much larger than the drawing, will also be required. Very little icing, which must be of piping consistency, and also a small bag fitted with a No. 1 tube are required. To Assemble Flower As this flower is very delicate to handle (though will not break once it has been assembled) it is preferable to place on a small plaque rather than directly on to the cake.
1. Draw or trace the work you intend to carry out on to pieces of greaseproof paper. Greaseproof paper is used because it is thin, transparent and will lie flat under the waxed paper. 2. Allow for breakages by tracing more than required. Surplus runouts will keep indefinitely if stored in boxes in single layers. 3. Place tracings on pieces of Perspex, glass, tiles or any material that is flat and will not bend. Avoid having more than one or two drawings on each board. Runouts are less likely to be damaged 35 if well spaced.