By Ilai Rowner
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Extra info for The Event: Literature and Theory
The immanence of the event is, therefore, an infinite flow within the finite and real happening, a finite infinity that does not correspond, for example, to the incarnation of the divine or to the way the Idea protects the representation of the whole. Deleuze's event resembles the non-image of the underlying unconscious, the violent and elusive movement of an impersonal and pre-individual entity that undermines the real as it breaks out from beneath or "from behind the back" and creates an ongoing dissymmetrical interaction between the series of sense and things, language and life.
Semiconductor and semi-misleader, the nonlinguistic experience must become the "being of the text:' as Genette would put it, for it cannot be perceived unless it yokes itself to the experience of the written movement of style. 54 If the eventness of the event is a factor that goes beyond the text, while being dependent on the text all the same, this leads us to dwell midways between "life" and "writing:' Event analysis focuses on the articulation between what is roughly and commonly distinguished as "experience" versus "expression:' The objective of this proposaI is to follow, as closely as possible, the singular tension that is at work in the happening.
The muthas has to construct itself upon the succession of distinct sections that forms an organic unity of action: the action has been completed (téléias) for long enough (megethas) and constitutes a sum total (hales) (sob). 35 In other words, the poet never allows for chance to decide: in composing the plot, the poet must remove aIl accidentaI circumstance that does not agree with the "probability" and the "necessity" that organize the logic of the action. Hence the plot that does not abide by the coherence of its logic and that exposes a succession of acts lacking narrative reason is poetically condemned as an ''episodic plot" or as "simple action" (S1b; Ch.