By Robert B. Musburger
Single-camera Video creation, Fourth variation in actual fact explains the know-how and the apparatus of video construction and information step by step the professional-level thoughts that may be utilized to any form of creation or price range. furthermore, this handbook will educate you to combine strategy, gear, and artistic issues in the construction process-from preproduction making plans via ultimate editing.
This new version comprises extra in-depth information regarding the transition from analog to electronic video creation and comprises the most recent details on electronic video and HD. It comprises elevated insurance of nonlinear enhancing concepts and contours a brand new association that follows the particular capturing procedure extra heavily.
Single-camera Video construction, Fourth variation is a complete but succinct advisor to single-camera video creation. Written as a part of the Focal Press Media handbook sequence, each one web page of this beneficial consultant covers a particular factor in video construction and is followed through not less than one representation or diagram to additional strengthen the your figuring out of the subject.
* know about the newest alterations to video creation expertise and the industry
* locate new information regarding electronic construction thoughts and HD video production
* collect the elemental wisdom had to plan, shoot, and edit so much box and in-studio video productions
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Extra resources for Single-Camera Video Production (4th Edition)
Depth of field also may be used creatively to exclude some subjects, by placing them out of focus but within the frame. 34 DEPTH OF FIELD Depth of Field Increased Depth of Field Decreased Depth of Field 35 The Viewfinder Shows the Camera’s Framing Viewfinder and Accessories To see what subjects you have included in your picture frame, you need an accurate viewfinder designed to accompany the camera. The viewfinder is usually mounted to the camera body so that the camera may be either handheld or tripod mounted.
For outdoor shooting, it may be either an 85 (yellow) filter, possibly labeled 5,600 K or an 85 ϩ ND (neutral density) filter designed to add the yellow that is missing from the blue daylight. The ND filter added to the 85 compensates for bright sunlight, which might provide too much light for the video camera. In addition to those two positions, there may be several choices of different intensities of ND filters. There also may be an 80 (blue) filter, possibly labeled 3,200 K for interior tungsten correction, or an FL-M (focal-length-magenta) filter to help compensate for fluorescent lighting.
It also shows the relationship between the two major components of the signal: gain (white level) and setup (black level), sometimes called pedestal. These two signals must remain in the proper relative strength to each other to provide an acceptable picture. In most newer cameras, the white and black levels are set automatically, but they may need to be adjusted periodically by a technician. The white level also is controlled by the iris setting in the lens. The ability to read and understand an oscilloscope is necessary only during a multiplecamera shoot and in the editing room.