By Jay Rose
Make your movie or video venture sound pretty much as good because it seems with this entire education direction through audio guru Jay Rose. You get countless numbers undefined, real-world recommendations that you should hire from preproduction during the ultimate combine. this can be a solution-oriented advisor with FAQs, how-tos, tips, and time savers.
You'll get a primer on how sound and electronic audio paintings in addition to technical setups, instructions, and actual strategies for:
* budgeting, scheduling, and preproduction planning
* microphones and room acoustics
* recording conversation, voice-overs, ADR, and effects
* postproduction hardware
* degrees and digitizing
* operating with tune and sound effects
* generating the ultimate mix
New to this edition:
* info at the newest cameras and box recorders
* offerings among unmarried- and double-system, and electronic workflows
* the diversities among conventional video soundtracks and dialog-driven storytelling.
* Having hassle with the sound in your video undertaking? find the answer during this best-selling guide.
* comprises time-tested guidance and proposals that paintings it doesn't matter what or software program package deal you use
* The audio CD contains diagnostics, demos, and instructional tracks to hone your abilities.
Read or Download Producing Great Sound for Film and Video (3rd Edition) (DV Expert Series) PDF
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Additional resources for Producing Great Sound for Film and Video (3rd Edition) (DV Expert Series)
5% of the original. How Bad is MP3? MP3 has gotten a bad reputation, both because it’s often implemented in badly written shareware and cheap players, and because there is so much badly encoded material available on the Internet. But the algorithm itself is capable of good results when done right and is used in many professional applications. Track 8 of this book’s CD demonstrates different degrees of MP3 encoding, translated back to 16-bit non-compressed so you can play it on a standard system.
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9 Digital audio wiring is generally free from noise issues. But it has very high frequencies, so you have to treat it like video—always use impedance-matched cables and terminations. In most professional facilities, high-resolution audio exists primarily as highspeed data. Dialog that was recorded to hard disk or DVD on the set is opened as ﬁles in the editor, with no transfer time; audio and video workstations pass content back and forth via Ethernet; and client copies are sent to servers over the Internet.