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By Isabelle Williamson

In 1873, the Christian missionary Isabelle Williamson set out from Chefoo (Yantai),China, to unfold the gospel to chinese language girls. Her 4 separate trips alongside the traditional roads of Shandong Province and Beijing are recorded in outdated Highways in China (1884), a chronicle of the standard lives of the ladies to whom she preached. 'My curiosity was once mainly within the women', Williamson explains, 'and I checked out throughout a woman's eyes'. booking her missionary paintings for one more book, Williamson devotes this keenly saw e-book to the main points of lifestyles within the villages she visited - the paintings, play, rituals, and tales of girls and ladies. It additionally describes Williamson's personal awesome travels, set opposed to the beautiful usual backdrop of northern China. a tremendous witness to women's missionary paintings in China, her publication is additionally testomony to the clever eye of its writer as she seeks to painting 'China's daughters'.

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This maid was a shrewd, sensible woman of forty-five. She said that, lest I might not like the jolting of the cart, the lady had sent her sedan-chair for me, and a lictor to clear the way. Which would I have, the cart or the chair ? I preferred the cart. From the front of the cart the lictor brought a stool, placed it firmly against the wheel, and so I mounted a conveyance which, in China, takes the place of a private carriage. The maid sat behind, because the front seat is the best. The curtain, in the centre of which was a square of glass, was let down, and off we rattled, the 60 VISIT TO A CHINESE LADY.

Men among them are fond of reading, and discussing the literary magazines. The shops are always interesting, from the great variety of stonework in them. A walled city has always a handsome look that straggling places lack. The denned wall hides many deformities. Some towns lose themselves in the country, or the country gets swallowed up in the town. ' The moat surrounding a walled city often improves its appearance, filled, as it sometimes is, with the pink water-lily and other aquatic plants, while the green banks are starry with wild flowers and shady and cool with waving willows that grow most luxuriantly.

An effigy of his private cart. These have all their suitable attendants, life size. A number of mourners in the second degree, their blue clothes showing under the white. All the schoolboys of the family. A few friends, literary graduates, in their best robes. A few more special mourners of the second degree. Two effigies of the gate-keepers of hell. These are carried about by men inside of them, and are made immensely large. They are represented as carrying heavy brass maces. All this is to insure that no one comes out of hell to drag the man into it.

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