By Lori Coleman, Diana Friedberg
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These lists are where you will ﬁnd the names and contact information necessary to do your job. The postproduction department will generate their own list pertaining to the people and facilities involved in post only. Place the updated versions in your editor’s notebook and on his bulletin board. 8). Though it is not often referred to during the shoot, it will be useful when ADR is needed from a given actor. On occasion, the production soundman will be able to get a wild line that you can place in your editor’s cut before delivery to the director or the producer.
The Unity (or SAN) should be maintained at least once a month by your techs. Sometimes this task falls to the assistant editor. You are in charge of making sure the drives are not too full and that not too many ﬁles are on any one partition. ). 3 Import FX and MX Begin importing the sound effects and music. Contact the supervising sound editor and MX editor and ask them for help in gathering together a suitable library for your current show. Their contact information will be on the cast and crew list.
And make friends with them. You want to be especially nice to the assistant because it is he who often determines how much access to the editor will be allowed. It is during your short visit with the editor that you will ask if you could stop by again and spend some time with her assistant. It is important to initiate a relationship with the editing crew because it is the assistant who will remember you, hopefully, and think of you when he is in need of a second assistant editor or apprentice.