By Ghitta Caiserman-Roth;Rhoda Cohen
Taking a look at the inventive procedure, this paintings invitations the reader to take part in a studying chance concentrated at the discoveries and insights Ghitta Caiserman-Roth and Rhoda Cohen made whereas sharing a studio and drawing jointly. The ebook combines discussion, photos in their drawings, and sensible educating notes. This constitution permits the authors to percentage their spontaneous dialogue a few inventive method of the subject-matter. most significantly, it bargains an intimate connection among the reader and the artist-writers. by means of revealing the main points in their inventive struggles and the problem of operating jointly, Caiserman-Roth and Cohen wish to motivate readers to generate their very own "dialogue" and make their very own discoveries. The frank and private disclosures and hugely person creative sorts of the authors will stimulate and inspire a various viewers. those that have continuously desired to draw yet were afraid to attempt might be inspired to embark at the artistic procedure. Artists who consider blocked will enjoy the insights of skilled colleagues. these concerned with the mental or psychoanalytical elements of creativity should be fascinated about the various methods of the artist-teacher and the psychoanalyst-artist. paintings lecturers and scholars will find a wealth of recent innovations which can help to counterpoint their paintings. eventually, the reproductions of the artists' paintings will be liked via all artwork fanatics.
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Extra info for Insights Discoveries Surprises: Drawing from the Model
I'm starting to get the movement. Sometimes in these very quick poses I become too automatic. The drawings that work best combine my body energy with the model's, and the page seems less stylized. Ghitta I found that I was tending to go around the body. Now I'm trying another approach: going through the body. I'm starting from the folding part and opening up into the rest of the body. It introduces a three-dimensional approach. It doesn't make sense to always start with the head, so sometimes I'm starting in the middle.
Try drawing in lines or shapes on your page, using different media. This exercise is useful if shapes are "felt" shapes. Choose colours or tones that relate to this body content. Overlap the shapes, opaquely or transparently, until there is no white paper left. Explore one or two colours at a time. Do five or six of these exercises. Renew the shapes each time. Don't become automatic. Prepare a number of drawing media: brush, pen and ink, felt pens of different sizes, ball-point pen, rag dipped in ink.
What are some of my formal associations? Light and dark, major divisions in planes, and volumetric forms - a more muscular transformation of the paper. Rhoda For me, it's more like working in sculpture. I've been scratching the paper almost as if I was trying to sculpt the body, looking for ins and outs. It has stimulated me to use strong colours. I'm using oil pastels, which are thick and crayon-like and which stimulate me to use bolder strokes. I sense a more vigorous quality in my drawings. G h i 11 a I found that the head kept coming out female, so I've decided to concentrate on the head.