By Sergio Guinot
Does your dragon coil its tail round your shoulders if you happen to sleep? Does it look ahead to you after college? Does it dwell in a riverbed like a eastern ryu—or on the backside of the sea like Tiamat of Babylon? Is it sufficiently small to snuggle into your pocket, or so large it blots out the sunlight from the sky? Does it hoard stolen treasure like Smaug? communicate the Language of production like Kalessin? delay the area like Ebberon? Did you discover your dragon in a magic store like Jeremy Thatcher, or hatch it from a stone like Eragon? Or do you summon it with the seven Dragonballs? irrespective of how your dragon appears to be like, how colossal or small it truly is, or the way it entered your mind's eye and your lifestyles, illustrator Sergio Guinot will enable you to Draw Your Dragon during this complete consultant to creating your myths come to lifestyles!
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Extra info for How to Draw Your Dragon
I allowed myself to locate the light and shadow in each one of the elements. The position of the light source and the shadow may seem contradictory in some cases, but the goal is to try to provide the figure with volume. I followed the ink lines, I removed the inking on this sheet, and I located the lights and shadows on a gray background so as to allow better visualization. TIP: If you are working with a computer, you should separate the layers of light from the layers of shadow. Finished Drawing The finished drawing was the combination of the ink, the light and shadow, and the base color.
TIP: Dark blue is the ideal solution when we want to paint a bright black object without darkening our inks. Light and Shadow The light and shadow of the shield were based on a supposed source of light coming from the top left of the illustration so as to coincide with the illumination of the claw, which is painted on the shield, being therefore flat and independent from the source of light. The specific lights and shadows of each element could be seen perfectly in the rivets: lights in the top left part, shadows in the bottom right part.
I shouted out in amazement. Unbelievable! Scheme, Volume, Pencil, Ink, and Base Color In order to provide a more extensive explanation of how I did the shading on the illustrations, I’ve combined the first five steps of the amphitere on one sheet. Over the scheme (green), I traced the volumes (red), and based on these, I did a fairly rough pencil (blue), which allowed me to remember all the details necessary for the inking (black). Finally, I added the base colors (mainly gold, sky blue, and bone), and I colored the inks with brown and dark blue.