By Robert C. Reimer
Outlining the richness of German movie, the historic Dictionary of German Cinema covers mainstream, substitute, and experimental movie from 1895 to the current via a chronology, introductory essay, appendix of the a hundred most vital German movies, a bibliography, and hundreds and hundreds of cross-referenced dictionary entries on administrators, actors, movies, cinematographers, composers, manufacturers, and significant ancient occasions that enormously affected the path and improvement of German cinema. The book's huge canvas will lead scholars and students of cinema to understand the advanced nature of German movie.
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Extra info for Historical Dictionary of German Cinema (Historical Dictionaries of Literature and the Arts)
In retrospect, the film represents the apogee of Fassbinder’s career and the films of New German cinema. 27 February: David (David, Peter Lilienthal) premiered at the end of the Berlin festival. One of the first West German films to deal with Jewish persecution under the Nazis, the film won the Golden Bear. 3 May: Die Blechtrommel (The Tin Drum, Volker Schlöndorff), based on the eponymous novel by Günter Grass, premiered in West Germany. The film won the Golden Palm Award at the Cannes Film Festival in France and also won an Academy Award for Best Foreign Film, the first feature film from Germany to be so honored.
Kurt Hoffmann, 1958), did not appear until the end of the decade, and it too was faulted for trivializing National Socialism rather than coming to terms with it and also for failing to examine the ordinary citizen’s role in support of Nazism. In place of critical examination of the past, West German films in the 1950s helped viewers escape from thinking about their role in what had occurred. The most popular genres were romantic comedies, musicals, detective fiction, and Heimatfilme (films about hearth and home).
By eliminating the rotating drums with slits of the zoetrope, praxinoscope, and théâtre optique, the projected movement could be shown to a larger audience and for a longer duration. The Skladanowskys introduced their invention in July 1895 at the Gasthaus Sello, a tavern in Pankow, a suburb of Berlin. A few months later they had a successful evening of projected motion in the Wintergarten, a Berlin theater. The evening’s show consisted of nine films, showing, among other spectacles, a village folkdance, an acrobatic act, a boxing kangaroo, and a fight.