By Andrew Loomis
Determine drawing for all it truly is worthy КУЛЬТУРА и ИСКУССТВО,НАУКА и УЧЕБА, ПРОФЕССИИ И РЕМЕСЛА, ХОББИ и РЕМЕСЛА, ЖИВОПИСЬ и РИСОВАНИЕ Автор: Andrew LoomisФормат: PDFСтраниц: 197Язык: EnglishРазмер: 23,81 МбУчебник рисования от Andrew Loomis.com sixty eight
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Extra info for Figure drawing for all it's worth
It is the popular ambiguous figure of a hare's and/or duck's head, and 1 no longer know where 1 saw it first: in a schoolbook? On the games page of a comic book? 8 The animal's name is ambivalence - and it can take geometric forms or the form of an old man and/or a young woman, among others. It addresses a feature of human perception, or more precisely, the inability to perceive diverging interpretations of a morph, of a profile form, at the same time. Historically, it has been used as an indication of a strikingly deep dimension of the two-dimensionally graphic, and symbolises a direct access to the heights (utopian wish for an unhurried reconciliation of opposites) and also to the depths (rules of expression, skull measurements) of the humanistic worldview.
Foucault, Paris, 1986), Frankfurt am Main, 1992, p. 65. 5) Michel Foucault, Oberwachen und Strafen. J)ie Geburt des Gefanl,rylisses (J)iscipline and Punish: ihe Hirth o(the Prison), translated from the French by W. Seitter (orig. Surveiller et punir, 1975), Frankfurt am Main 1994, p. 264. cf. also Petra Gehring, Paradigm a einer Methode. Der Begrttrdes Diagramms im Strukiurdenken M Foucaults und M Serres, in: Diagrammatik und Philosoph ie, ed. P. , Amsterdam, Atlanta, GA:, pp. 89-120, p. " 6) Foucault, trans!.
Fnseignement No. 145-165, here: p. 146. 4 This means that the 'panopticon' supposes not only an architectonic form of construction, but also "a form of political technology"S, which can be and is implemented in other places. 6 The most important element of the diagram understood in this way is that it serves the description of the process whereby power relations are produced through relationships of strength. The diagram remains not external to the subject, but rather is essential for its formation.