By Arthur Zaidenberg
Should you gather even a small skill to attract no matter what you need, you might have realized a brand new language —one during which you could communicate with a person on the earth. if you happen to use drawing as a language you're utilizing it safely— in its richest feel, its maximum goal. i don't suggest via this drawing needs to simulate an item so faithfully that it'll serve as opposed to the true item. Nor do I suggest that your drawing needs to be so representational that it'll substitute the note description and act as an merchandise in an image dictionary.
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Square forms, less curves, hips, heavier waist, teristics more accentuation of muscles, narrower broader shoulders, these are the main charac- which distinguish the male contours from the female. Having exploded the figure and reassembled of showing the basic structure made most until this point fashion with very and its purpose principal divisions, I have more subtle character- of the figure. istics The omy and following pages will deal with details of surface anatfeatures which serve to give "life" to what hitherto has been more in the nature of working drawings of There lines, and for the of the drawings in a simple solid attention to the little it also enter into these and tones of light "air" to these In doing your figures.
He may if artist to not a presumption on his part to employ the things in nature as a purposes On to to start. to create, ing" upon However, for our purposes, that of learning to express the living, this artist is called exact reproductions or at least faithful simulations of the did so in vast numbers no detriment to their quality. the contrary, thousands of art works of truly great stature are magnificent inventions of form based on the natural ones. African sculpture and Egyptian and Assyrian monuments are striking examples of either distorted or conventionalized anatomy of figures to express the power nature.
Incompetence in drawing proportionately and correctly is what you wish to do. It is not excusable is draw a proportionate, anatomically sound reason that it figure represents a discipline in learning. " Students were taught interior and exterior anatomy though they were going to as thoroughly as be professional bone-setters instead of artists. It is extremely fortunate that "modern" concepts, which rediscovered the dynamic truths of the great art of the past, and clarified some new concepts on their own, liberated the art student from the hands of the pedagogues and influenced the stimulation of individual creative invention.