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Drawing a speculation is a reader at the ontology of kinds of visualizations and at the improvement of the diagrammatic view and its use in modern artwork, technological know-how and concept. In a strategy of alternate with artists and scientists, Nikolaus Gansterer unearths drawing as a media of analysis allowing the emergence of recent narratives and concepts through tracing the speculative power of diagrams. according to a discursive research of discovered figures with the artists’ personal diagrammatic maps and types, the invited authors create certain correlations among pondering and drawing. as a result of its skill to mediate among notion and mirrored image, drawing proves to be the most uncomplicated tools of medical and creative perform, and performs a vital function within the construction and communique of information. The ebook is a wealthy compendium of figures of notion, which strikes from clinical illustration via creative interpretation and vice versa.

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It is the popular ambiguous figure of a hare's and/or duck's head, and 1 no longer know where 1 saw it first: in a schoolbook? On the games page of a comic book? 8 The animal's name is ambivalence - and it can take geometric forms or the form of an old man and/or a young woman, among others. It addresses a feature of human perception, or more precisely, the inability to perceive diverging interpretations of a morph, of a profile form, at the same time. Historically, it has been used as an indication of a strikingly deep dimension of the two-dimensionally graphic, and symbolises a direct access to the heights (utopian wish for an unhurried reconciliation of opposites) and also to the depths (rules of expression, skull measurements) of the humanistic worldview.

Foucault, Paris, 1986), Frankfurt am Main, 1992, p. 65. 5) Michel Foucault, Oberwachen und Strafen. J)ie Geburt des Gefanl,rylisses (J)iscipline and Punish: ihe Hirth o(the Prison), translated from the French by W. Seitter (orig. Surveiller et punir, 1975), Frankfurt am Main 1994, p. 264. cf. also Petra Gehring, Paradigm a einer Methode. Der Begrttrdes Diagramms im Strukiurdenken M Foucaults und M Serres, in: Diagrammatik und Philosoph ie, ed. P. , Amsterdam, Atlanta, GA:, pp. 89-120, p. " 6) Foucault, trans!.

Fnseignement No. 145-165, here: p. 146. 4 This means that the 'panopticon' supposes not only an architectonic form of construction, but also "a form of political technology"S, which can be and is implemented in other places. 6 The most important element of the diagram understood in this way is that it serves the description of the process whereby power relations are produced through relationships of strength. The diagram remains not external to the subject, but rather is essential for its formation.

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