Download Dekalog 4: On East Asian Filmmakers by Kate E. Taylor, Kate E. Taylor-Jones PDF

By Kate E. Taylor, Kate E. Taylor-Jones

East Asian cinema has turn into a global phenonemon, and administrators corresponding to Park Chan-wook, Wong Kar Wai, and Takashi Miike became family names. Dekalog four: On East Asian Filmmakers solicits students from Japan, Hong Kong, Switzerland, North the USA, and the U.K. to supply distinctive readings of chosen East Asian administrators and their works. administrators tested comprise Zhang Yimou, Apichatpong Weerasethakul, Rithy Panh, Kinji Fukasaku, and Jia Zhangke, and the amount contains one of many first surveys of eastern and chinese language lady filmmakers, supplying singular perception into East Asian movie and the filmmakers that experience introduced it international recognition.

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Hopefully it will not take too long for women to hold up half of the cinematic sky and they will gain more and more opportunities in China, Japan, Taiwan and elsewhere. Bibliography Brennen, Sandra (1998) Hidari Sachiko. Online. com (accessed 4 September 2005). Du, Yunzhi (1988) Film History of Republic of China. Taipei: Cultural Construction Committee. Huang, Ren (1994) Taiwanese Language Cinema. Taipei: Wanxiang. ) (1975) The Work of Dorothy Arzner: Towards a Feminist Cinema. London: British Film Institute.

In 1961 Wang Man-jiao (1943–), an art college student and a finalist at the Miss China Beauty Pageant in 1960, was recommended to renowned director Li Shing who at the time was looking for an actress who could speak both Mandarin and Taiwanese. She would star in about 26 films before moving to television productions in the early 1990s. As Wang showed a talent for writing, she began to write screenplays in 1965 and wrote eight scripts that made it into production. She won the Best Script Award at the Taiwanese Dialect Film Exhibition in 1965 and proceeded to write three film scripts that same year.

Lee Yun-chan can really be seen as a modern fairytale teller with a camera; from her first short film Magic Washing Machine (2004) to her debut feature film Shoe Fairy (2006) to her comedy My DNA Says I Love You (2007) and the most recent Dancing with You (2010), she focuses on the ‘reenactment’ of fairytale situations. The girl who loves shoes has her feet broken in an accident; the girl who is a fanatical cleaner discovers that her new love does not do his laundry in a timely fashion; and the girl who wants to kill herself gets herself fished out from the bottom of the lake.

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